- Radio 1: this station prides itself on discovering new artists all the time, it was responsible for the discovery of artists such as; Ed Sheeran and James Bay. It describes itself as having a distinctive mix of music and speech to interest its target audience of 15 to 29 year-olds. It aims to offer a range of new and contemporary mix of music whilst supporting emerging artists in order to stay within its remit. This station stays true to the value of being the most creative organisation in the world.
- Radio 2: the remit of this station is to have a distinctive mix of music and conversation that is designed to interest a target audience of people aged over 35. They do this by tailoring their music to that the target audience would have listened to particularly that which was played in the 1980s and 1990s. They tend to have a lot of phone in's during this show to discuss matters that are going on in the world currently. This station stays very true to the mission to enrich people's lives with programmes that inform and educate.
- Radio 3: this station is designed to offer a mix of music and cultural segments in order to interest their target audience of people aged over 55 years of age. It has a lot of classical and jazz music and has more relaxed themes in order to cater to its older audience. This station stays very true to the mission to enrich people's lives with programmes that inform and educate as well as being the most creative organisation in the world.
- Radio 4: this station provides minimal music coverage and is designed to be a mixed speech service, with a wide coverage of news and other speech (drama readings, comedy, factual and magazine programmes). It is targeted at an ABC1 audience aged 34-39 year-olds. This station stays very true to the mission to enrich people's lives with programmes that inform and educate.
- Radio 5:The remit of this station is to provide live news and sports coverage, to a target audience of mainly sports lovers from all ethnic backgrounds. It is seen as the main BBC station to bring listeners live and up to date news stories as they happen. Regarding sports, the station often has viewers ring up, or guests in the studio to analyse recent sporting fixtures.The station has a multi-purpose to entertain, inform and involve.Programs on this station:- 5 live Breakfast- 5 live Sport.- 5 live Drive.- Flintoff, Savage and the Ping Pong Guy.- Up All Night.- Morning Reports.Radio 6:The remit of BBC 6 Music is to entertain lovers of popular music with a service that celebrates the alternative spirit in popular music from the 1960s to the present day.
Its programmes juxtapose current releases outside the mainstream, including music from the BBC Sound Archive. It should provide context for the music it plays, and support live music and new artists.
Programs on this station:
- Chris Hawkins.
- Laura Laverne.
Tuesday, 6 February 2018
Radio research pt.2
Radio Research
Who was the first ever Breakfast Show Presenter on Radio 1?
Nick Grimshaw was born as Nick Peter Andrew Grimshaw on 14th August 1984 in Manchester, England. He is the son of Peter Grimshaw and Eileen Grimshaw. He has two siblings, Andy Grimshaw and Jane Grimshaw.
Nick Grimshaw joined BBC Radio 1 and started presenting Switch, the BBC's youth strand along with his mate DJ Annie Mac where he worked for nine years. Nick Grimshaw is one of the famous celebrity of British industry. According to the BBC, his salary is in between $410,000-$470,000. He is also named the highest paid Radio 1's DJ in 2017. In total sum, he has an estimated net worth of $2 million. Grimshaw is often seen riding a Mercedes G-Wagon car worth $80 thousand. He was spotted looking to buy a house in Islington, London worth $2.1 million.
What are the current listening figures for Radio 1 Breakfast show? On October 26th 2017, it was reported that the show recorded 4.93 million listeners between July and September- down from 5.5 million last quarter, a record low.
Who is the controller of BBC Radio 1?
The controller of BBC Radio1 is Ben Cooper.
How is Radio 1 funded?
The BBC is funded principally by an annual television licence fee which is charged to all British households, companies and organisations using any type of equipment to receive or record live television broadcasts and IPlayer catch-up.
How does Radio 1 try to be distinctive?
Radio 1 try to be distinctive by playing different game shows and having live guests in to change up the schedules and so you almost have a live concert on your concert on your radio to attract all audiences and can promote their own festivals if they have a good live act on their live lounge as almost a live preview for their concerts that are coming up.
What is the difference between BBC Radio stations and commercial stations?
BBC doesn't make much money as they are all government funded so do not have sponsors and make money from adverts and sponsors making them money but have bigger pauses in between music so people tend to turn over to BBC radio stations.
- The first breakfast show presenter was Tony Blackburn, who spoke the first words on Radio 1 and remained in the slot for nearly six years.
- Noel Edmunds- 4 June 1973- 28 April 1978
- Dave Lee Travis- 2 May 1978- 2 January 1981
- Mike Read- 5 January 1981- 11 April 1986
- Mike Smith- 5 May 1986- 17 May 1988
- Simon Mayo- 23 May 1988- 3 September 1993
- Mark Goodier- 6 September 1993- 24 December 1993
- Steve Wright- 10 January 1994- 21 April 1995
- Chris Evans- 24 April 1995- 17 January 1997
- Mark and Lard- 17 February 1997- 10 October 1997
- Kevin Greening and Zoe Ball- 13 October 1997- 25 September 1998
- Zoe Ball- 28 September 1998- 10 March 2000
- Sara Cox- 3 April 2000- 19 December 2003
- Chris Moyles- 5 January 2004- 14 September 2012
- Nick Grimshaw- 24 September 2012- Present
Nick Grimshaw was born as Nick Peter Andrew Grimshaw on 14th August 1984 in Manchester, England. He is the son of Peter Grimshaw and Eileen Grimshaw. He has two siblings, Andy Grimshaw and Jane Grimshaw.
Nick Grimshaw joined BBC Radio 1 and started presenting Switch, the BBC's youth strand along with his mate DJ Annie Mac where he worked for nine years. Nick Grimshaw is one of the famous celebrity of British industry. According to the BBC, his salary is in between $410,000-$470,000. He is also named the highest paid Radio 1's DJ in 2017. In total sum, he has an estimated net worth of $2 million. Grimshaw is often seen riding a Mercedes G-Wagon car worth $80 thousand. He was spotted looking to buy a house in Islington, London worth $2.1 million.
What are the current listening figures for Radio 1 Breakfast show? On October 26th 2017, it was reported that the show recorded 4.93 million listeners between July and September- down from 5.5 million last quarter, a record low.
Who is the controller of BBC Radio 1?
The controller of BBC Radio1 is Ben Cooper.
How is Radio 1 funded?
The BBC is funded principally by an annual television licence fee which is charged to all British households, companies and organisations using any type of equipment to receive or record live television broadcasts and IPlayer catch-up.
How does Radio 1 try to be distinctive?
Radio 1 try to be distinctive by playing different game shows and having live guests in to change up the schedules and so you almost have a live concert on your concert on your radio to attract all audiences and can promote their own festivals if they have a good live act on their live lounge as almost a live preview for their concerts that are coming up.
What is the difference between BBC Radio stations and commercial stations?
BBC doesn't make much money as they are all government funded so do not have sponsors and make money from adverts and sponsors making them money but have bigger pauses in between music so people tend to turn over to BBC radio stations.
Thursday, 1 February 2018
Key Terms- FILM, RADIO, VIDEO GAMES
INDUSTRY VOCAB HOMEWORK – DEFINITION AND EXAMPLE, WHAT
INDUSTRY MAY IT APPLY TO? UPLOAD TO BLOGS LABEL INDUSTRY, AUDIENCE, VOCABULARY
·
BARB-
The Broadcasters' Audience
Research Board (BARB) is the organisation that compiles audience
measurement and television ratings in the United Kingdom.
· WEBCASTING LICENSE- A license to
legally play a media presentation over the internet.
· TECHNOLOGICAL CONVERGENCE- Media technological convergence is the
tendency that as technology changes,
different technological system
sometimes evolves toward performing similar tasks.
· WEB 3.O OR SEMANTIC WEB- a proposed development of the World Wide Web in which data in web pages
is structured and tagged in such a way that it can be read directly by
computers.
· INTERNET OF THINGS- the interconnection via the Internet of computing
devices embedded in everyday objects, enabling them to send and receive data.
· BINGE-VIEWING- watch multiple episodes of (a television programme)
in rapid succession, typically by means of DVDs or digital streaming.
· DAB- Digital audio broadcasting (DAB),
also known as digital radio and
high-definition radio, is audio
broadcasting in which analog audio is converted into a digital signal and
transmitted on an assigned channel in the AM or (more usually) FM frequency
range.
· TRADITIONAL MEDIA- Any form of mass communication
available before the advent of digital media. This includes television, radio, newspapers, books, and
magazines.
· GOOGLE ANALYTICS- Google Analytics is a freemium web analytics service offered by Google that tracks and reports
website traffic.
· RAJAR- RAJAR stands
for Radio Joint Audience Research and is the official body in charge of
measuring radio audiences in the UK.
· NRS- The NRS social
grades are a system of demographic classification used in the United Kingdom.
They were originally developed by the National Readership Survey (NRS)
to classify readers, but are now used by many other organisations for wider
applications and have become a standard for market research.
· MIDAS- MIDAS media is a specialist PPC
advertising agency
· CULTURAL IMPERIALISM- Cultural imperialism comprises the cultural aspects of imperialism. Imperialism here
refers to the creation and maintenance of unequal relationships between
civilizations, favouring the more powerful civilization.
· DEMOCRATISATION OF THE MASS MEDIA-
Democratisation is the transition to a more democratic political regime. It
also refers to substantive political changes moving in a democratic direction.
· EFFECTS OF PIRACY- Decrease in Sales of Legal
Copies, the street price will rise if most
price-sensitive consumers switch to illegal copies while the most
price-insensitive consumers do not.
· HORIZONTAL INTEGRATION- the process of
a company increasing production of goods of services at the same part of the
supply chain.
· VERTICAL INTEGRATION- the combination
in one firm of two or more stages of production normally operated by separate firms.
· DIVERSIFICATION- the action of making
or becoming more diverse or varied.
· ALTERNATIVE MEDIA AND INDEPENDENT
MEDIA- Alternative media is media that differs from established or dominant types
of media in terms of their content, production and distribution.
· CONGLOMERATE- a thing consisting of a
number of different and distinct parts or items that are grouped together.
· GRA- Graph
· PEGI- Pan Europen Game Information is
a European video game content rating system established to help European
consumers make informed decisions when buying video games or apps through the
use of age recommendations and content descriptors.
· MEDIAWATCH UK- Formally known as the
National viewers’ and Listeners Association (National VALA or NVLA), is a
pressure group in the UK, which campaigns against the publication and broadcast
of media content that it views as harmful and offensive, such as violence,
profanity, sex and homosexuality.
· IPSO- The Independent Press Standards
Organisation.
· WATERSHED- Protecting children from
harmful material on TV and radio is one of OFCOM’s most important duties.
· OFCOM- The Office of Communications,
is the UK government-approved regulatory and competition authority for the
broadcasting, telecommunications and postal industries of the United Kingdom.
· MEDIAWATCH- Journalists analyse the
print and electronic media.
· BBC CHARTER- An Accompanying Agreement
recognises its editorial independence and sets out its public obligations in
detail.
· SYNERGY- the interaction or cooperation
of two or more organizations, substances or other agents to produce a combined
effect greater than the sum of the separate effects.
· PSB- Programming produced for the
benefit of the public, rather than pure commercial reasons.
· BROADCAST CODE- The Code of Practices
for Television Broadcasters, also known as the Television Code, was a set of
ethical standards adopted by the National Association of Broadcasters (NAB) for
television.
· IWF- The Internet Watch Foundation is
a registered charity based in Cambridgeshire, England. It states that it’s
remit is to minimise the availability of potentially criminal internet content.
Friday, 19 January 2018
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