- High angle looking down on social worker- patriarchy
- Extreme close up of phone after it falls- extreme panic
- Most camera shots of the young people were eye level equality amongst us and directly with the audience
- Gun shot, long shot of Connie cut to close up of Eleven shot demonstrates panic
- Level three shot of boys in woods
- Two mid shot Jonathon and Joyce close on the sofa signifies closeness in relationship
Mise en Scene
- Byers' house- dim lighting, brown clothes, 80s interior
- Yellow phone contrasts and stands out = communication
- Benny's diner - Eleven seeks shelter
- Woods- heavy rain
- Nancy's bedroom
- Choppers, torches, shine Eleven's, theme of light
Sound
- Off screen sound of pot wash in Benny's diner to on screen of Benny washing
- Off screen diegetic knocking disruption of the narrative and raises alarm.
- Diegetic dialogue 'you don't sound the same as you did on the phone'
- Non diegetic contrapuntal song commences as soon as Benny is shot- White Rabbit Jefferson find song- volume and pace increase as Eleven runs away
- Non diegetic sci fi instrumental emphasises tension when they find Eleven
- Joyce phone on screen siegetic sound of mysterious creature
- Nancy's room- Africa Toto is contrapuntal- romantic mood- 80s theme
- Look for twig sound and music interruption
Editing
- Jump cut Nancy's room/proximity/intimacy
- Connie pace of cuts increases- panic
- SFX electric bang from phone communication with Will and sci fi other
- Shot reverse shot
- Order of the narrative- multi stranded narrative underlines the LFTVD drama conventions. In the scene- happening mostly simultaneously except Eleven's escape and discovery. Linking characters at the end of the episode.
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